audiobook

Centered on a pair of altered vintage headphones, Audiobook explores fractured memory and the silences surrounding personal and colonial histories. Through physical disruption and layered text, the work reflects on listening, loss, and the difficulty of speaking about the past.

'Audiobook', 2025
'Audiobook', 2025
detail, 'Audiobook'
detail, 'Audiobook'
detail, 'Audiobook'
detail, 'Audiobook'
detail, 'Audiobook'
detail, 'Audiobook'
Audiobook
Installation, mixed media
Variable dimensions

"Audiobook is a mixed media piece composed of found objects and wiring. Central to the work are a pair of vintage headphones, once used but now made unusable - standing in as representations of my grandfather’s time as a pilot during the Rhodesian War. These headphones have been punctured, written on, erased, and written on again. Through this physical manipulation - both violent and repetitive - I aim to reflect the difficulty my grandfather faced in speaking about his experiences of the war.
Listening is an inherently intimate act - just you and what is being heard. By rendering the headphones inoperable, I intentionally interrupt that act, challenging the possibility of connection and comprehension. Yet, through the writing inscribed on them- layered, fragmented, and overwritten - I attempt to visualise the act of listening, even in its absence. The damaged materials create a sense of rupture: between past and present, memory and loss, Rhodesia and South Africa. These fragments resist a neat historical narrative and instead reflect the porous, complicated relationship between personal memory and broader colonial histories.
In re-writing and recording my grandfather’s recollections, Audiobook becomes a gesture of remembering - a fractured memorial that acknowledges both what is said and what remains unspeakable."

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